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Launch! Moriarty Brings Down the House

Moriarty Brings Down the House

I’m happy to announce the publication of the third book in the Professor & Mrs. Moriarty mystery series, Moriarty Brings Down the House. This one’s set in London in 1886, mostly taking place inside a big theatre on Leicester Square called the Galaxy Theatre of Varieties.

Like the rest of this series, ebook versions are available only through Amazon. Print is available anywhere print books are sold (usually by special order, if you go there in person.)

Here’s the back cover copy:

An old friend brings a strange problem to Professor and Mrs. Moriarty: either his theater is being haunted by an angry ghost or someone is trying to drive him into bankruptcy. That would shut down his Christmas pantomime before it opens, throwing two hundred people out of work. The Moriartys can’t let that happen! Besides, Angelina is longing to play the lead in a West End show and James needs a bigger challenge than yet another high-stakes game of whist.

But the day they move into the theater, the stage manager dies. It wasn’t an accident; it also was most definitely not a ghost. Angelina works backstage turning up secrets and old grudges, while James follows the money in search of a motive. The pranks grow deadlier and more frequent. Then someone sets Sherlock Holmes on the trail, trying to catch our sleuths crossing the line into crime. How far will Moriarty have to go to keep the show afloat? And will they all make it to opening night in one piece?

It's shorts month!

July, 2017 is the first annual Short Story Writing Month, an exciting new event devised by yours shorts1truly, with the full collaboration of the Austin-based Indie Author Society. It’s a short story writing festival! A short-a-thon! A frenzy of shorts!

We’re challenging each other to write a story a week. Nobody’s coming around to check up, so suit your own pace, but give it a whirl.

We kicked the month off yesterday with a short craft workshop taught by Benjamin Reed, a creative writing professor at Southwestern University. That was for Indie Author Society members only.

If you missed it, be comforted by the wealth of resources online and in bookstores. I’m reading James Scott Bell’s How to Write Short Stories And Use Them to Further Your Writing Career on my Kindle this week. I won’t try to link to the multitude of online how-tos and classes, although I will put in a pitch for Dean Wesley Smith’s course on writing short stories. Expensive, but it shattered three misconceptions I had about myself as a writer, so — worth it.

Myth #1: I can’t write short

fishMy old idea of short fiction was getting my Texas cozy under 80,000 words. Ha! Turns out, short stories are not tightly compressed novels. They’re a whole ‘nother kettle of fish. Actually, just one engaging fish, having a singular day or week. Or month. Singular, that’s the key. A short story revolves around a single emotional turning point for the protagonist. Subplots just get waved at, or skipped altogether. Same with series character arcs. A touch; a note. That’s all.

Myth #2: I can’t write fast

This has as much to do with experience as with the length of the work. The more you write, the more you gain skill and confidence. More importantly, the more you get wise to your silly self, so you can cut out the time-consuming agonizing and screwing around. You just sit (or stand) at your desk, put your fingers on the keyboard, and write the dang story. 2K/day is comfortable for me now, and a short story only has 3-8,000 words. Think about it for a day or two, write for a day or three, forget about it for a day, then revise it. A week’s work, with time for many other things.

Myth #3: I can’t write to someone else’s theme

I have a long list of stories wanting to be written. I don’t want other people’s dumb ideas! Also, I believed my imagination couldn’t dance to someone else’s tune. Well, I was wrong. I grumbled about how dumb DWS’s assigned theme was for half a day before forcing myself to think about it, because it was homework and I always do my homework. When I stopped resisting the idea, I found a story to fit that I love so much, I’m going to have to write more stories set in that universe. The river of creativity will provide, if you tear down the blockades.

The moral? Don’t be stubborn about your creative capacity. Challenge yourself from time to time and let it surprise you.

Shorts have many uses

Especially for us indies. We can sell them to magazines, especially science fiction and fantasy, which have an abundance of zines. We make a few bucks, but more importantly, we get our work in front of another audience. It’s like advertising for which they pay you.shorts2

We can offer them to newsletter subscribers as a freebie, which we keep refreshing, because we can write a short in a week.

Shorts make great palate cleansers between drafts of a book. They get your mind into a different world so you stop believing what you wrote in the book is true and can’t be altered, so you can revise the thing the way it needs to be revised. Revenge is not the only dish that’s best served cold.

Shorts are great catalog builders. You can sell them for $0.99, which nets you almost $0.34 a story. That’s riches for ya! Once you have enough shorts to add up to 60,000 words or so, you can collect them into an anthology. You can make a neat little paperback out of three good-sized shorts to sell at local events for $5, giving people get a taste of your writing an an irresistible price. You can even make a booklet out of one short story to put on swag tables at conferences.

You can wear them on your head, you can read them in your bed. You can offer them for free, you can write them up with glee. Go for it and write yourself some shorts this month!

 

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